James Nicoll Reviews

H. M. Hoover’s 1977 The Delikon is a stand-alone young adult science fiction novel.

Humanity ventured to the stars in quest of what they assumed to be their great destiny. The alien Delikon, having taken humanity’s measure, swiftly conquered the short-lived upstarts¹. As humans were clearly incapable of moderating their own behavior, the Delikon constructed a capital city on Earth, Kalidor, from which they set about shaping humans to conform to civilized standards.

A very long time later, the rigid caste system appears eternal.

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1977’s The Rains of Eridan is a standalone young-adult hard SF novel by H. M. Hoover. 

The Aurora Corporation thought the life-bearing world Eridan promising enough that it funded three bases: 

• Base One, the administration and living colony research centre; 

• Base Two, the agricultural research base; 

• Base Three, the science base. 

The bases are separated by hundreds of kilometres, far enough that even if one base were to fall to calamity, the other two would be spared. It seems that the spread was not great enough; bizarre collective madness has attacked all three bases. 

Theodora ​“Theo” Leslie, who has spent the last month out in the field gathering data on the Eridan lifeforms, has no idea how bad matters have become. Not until she witnesses a double murder. 

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H. M. Hoover is the author of at least thirteen novels to my knowledge, all published between 1977 and 1995. Her 1995 novel The Winds of Mars won the (unfortunately named but still prestigious) Golden Duck. She is, therefore, someone of whom I am aware [1]. So it is inexplicable, really, that 1980’s This Time of Darkness is the first novel of Hoover’s that I have actually read [2]. No, not when it first came out — only a couple of days ago. The timing is a bit unfortunate; I think readers in the target age range will still like it, although my personal reaction was coloured by the way Hoover used urban decay tropes of which I am very very tired.

~oOo~

In these times, no phrases have such synergy as ​“young adult novel” and ​“hellish, Orwellian urban dystopia.” Eleven-year-old Amy would tell you all about dystopias if the allowed vocabulary for the lower levels included terms like ​“Orwellian” or ​“dystopia”. Already a pariah thanks to her suspicious literacy, she compounds her crimes by befriending young Axel, a visibly disturbed boy with an outrageous tale: he claims to come from outside the City, from outside the decaying realm that is, as far as anyone in it knows, the whole of the world.

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